Fran Jeffries (left) sings "Meglio Stasera" in The Pink Panther from 1964.
To honor the recent passing of Blake Edwards, TCM played a number of his most famous films earlier this week. Among them was The Pink Panther from 1964. Although this is always an entertaining film (the exploding bottle of champagne still makes me crack up!), I had never really noticed how chic it is in all of its mid-1960s glamour. Sure, the two female leads are played by Capucine and Claudia Cardinale, but did you also know that those two were dressed exclusively by Yves Saint Laurent for the film? No, I didn't either.
But there's one utterly fabulous and diverting scene that doesn't present YSL's looks front and center. Instead, it offers one Fran Jeffries singing Henry Mancini's lesser-known standard "Meglio Stasera", or "It Had Better Be Tonight" as it's known in English. While sporting a fine vocal ability, Jeffries was primarily a nightclub singer who later made a splash doing not one but two different Playboy features; one at age 35 in 1971 entitled "Frantastic!" and one at age 45 in 1981 entitled "Still Frantastic!" Watching this clip you'll understand why...
Fran Jeffries swings this song right out of the chalet. It's an amazing three minutes that captures the essences of the sexy and stylish sixties. It's a cold night in Cortina d'Ampezzo with all of the well-heeled elite having parked their sleds (and Rolls Royces) outside in order to gather around the fondue pot. Jeffries, playing the character of the "Greek Cousin" gets up to entertain. Lucky for her, a cute group of jazzy Italians in fuzzy sweaters also plays percussion (and accordeon) and they're happy to keep the beat while she does her thing around the fire.
The first minute of the song is actually a great bit of directing. The singer dominates the foreground at left, while she serves to frame the main characters (David Niven, Robert Wagner, Capucine, & Claudia Cardinale) who are all seated at a lounge table at right. While she dances around, she interacts with the more "important" members of the cast, while they're all enraptured by her fabulous performance. Indeed, I think this was done in one take so the whole sequence is pretty amazing. She's energetic, hits her marks, and spurs the comedy ever so slightly.
Then of course, there's also the clothes. Fran Jeffries' main asset, her shapely figure, is shown to perfection in a skin-tight but mostly modest set of black pants with a beaded turtleneck sweater. To be fair, the beading on this sweater is something fantastic: black and red beads form stripes from shoulder to shoulder creating an eye-catching breastplate effect. Today I'd say it was something from Prada, but back then who knows? The rest of the scene is equally well-attired. Lots of cozy-looking stretch ensembles with big sweaters - à la vintage Bogner or Moncler - but the truly chic of the group are given pops of color and the right touches of metallics and baubles. The character called "Brenda de Branzie" is given a fabulous pant ensemble in cobalt blue accented chunky jade jewelry - a very fun and sophisticated color combination if I do say so! Cardinale's character, Princess Dahla, looks appropriately regal in a purple silk pantsuit with a jeweled neckline. There's also a lady in a great taupe and gold jumpsuit that wouldn't normally attact my attention, but at the end when she gets up to dance I spotted her gold boots which absolutely won me over.
This was still the early 1960s when it was still considered a bit risqué for women to be out in the evening wearing pants of any sort. I think that the costuming in this scene shows the perfect bit of European sophistication of casual elegance. It also makes the moment authentic and fun, like the audience is invited to the party, and that's how it still feels over forty years later.
Mancini's song "Meglio Stasera" is supremely catchy and comes up over and over throughout the score of the film, but this is the only time it's actually sung in full and in Italian. However, I'm sad to say that Jeffries' interpretation is not included on the original score. Over the years it's been recorded by vocalists such as Sarah Vaughan and Michael Bublé, but I love the version recorded by London's Blue Harlem group. It's fabulous! Either way, one cannot argue that Fran Jeffries' version from The Pink Panther is one of the very best out there: an impeccably chic bit of film with style, rhythm, and fun all in one!