Detail from Anna Sui Fall 2010 with Rycroft Tile necklaceFashion, like art, repeats itself over and over. A cultural thermometer of sorts, the fashion world reflects and responds to the social climate faster than any other produced consumable product. Designers reflect our own fears and uncertainties and mix these with a heady cocktail of beauty, luxury, and desire.
It’s clear that with the current economic and social outlook, the era of bling and the gaudy counterfeit it created have faded away (thankfully). In its place there seems to be an inherent appreciation of craftsmanship and creativity. At its most obvious, this appreciation is found in the collections of Anna Sui and Duro Olowu, both of whom found inspiration in the Arts and Crafts Movement of the late 19th & early 20th Centuries.
A reaction against the Victorian era’s penchant for “reviving” historical styles and the soulless production of the Industrial Revolution, the Arts & Crafts Movement sought artistic reform, both in its process and product. Aesthetically, the movement sought simplicity of form without superfluous decoration, often exposing the construction of an item. As many of the studios were in rural areas, Arts and Crafts motifs were inspired by the flora and fauna found out of doors. Seeking an “equality of arts”, the movement revived traditional crafts, and created the role of the “master craftsman” at the heart of production and design. Ironically, by placing greater importance on handicraft, the resulting products were too expensive to be purchased by anyone but the very rich.
Anna Sui Fall 2010. Images from Style.com.
Perhaps designers’ looking to this era and design philosophy portends a resurgence of true luxury goods? I doubt that this idealism will trickle down to the Canal Street shoppers, but it’s nice to know that it’s there.
“If you cannot learn to love real art at least learn to hate sham art.” – William Morris
For her part, Anna Sui took her inspiration in the design motifs and crafts of the Arts & Crafts Movement. Citing the artistic furniture of Charles Rohlfs, her Fall collection was adorned in architectural, but colorful, floral prints and geometrics. Small Roycroft tiles mixed with natural wood to create simple necklaces, all designed by Erickson Beamon. The result was classic Anna Sui hippy girl, but with a dash of sophisticated craft.
Duro Olowu Fall 2010. Images from Style.com.
With a more modern take, Duro Olowu drew inspiration from Hidcote Manor, home of England’s great Arts & Crafts garden, which is now part of the British National Trust. Hidcote’s lavish topiaries and outdoor rooms led to cozy knitwear, mod geometrics, and just a whiff of floral print.
I realize that these are but two designers among hundreds, and while fashion is always looking to the aesthetic movements of the past, I found it interesting that the Arts & Crafts Movement in particular found its way onto the runways at just this time. Going by the fashion thermometer, it seems we need more simple luxury, beauty, and craftsmanship in our lives. What do you think?